Still working my way through everything in the Infinity Suite, but I wanted to share some initial thoughts because… wow. The amount of content here is wild — and the quality is just as impressive as the quantity.
What really hit me is how much this suite made me appreciate Logic’s stock tools. I’ve always used third-party plugins for most of my work, but diving into these presets has totally changed that. Everything is built using Logic’s native plugins, and it all sounds amazing and runs super efficiently — no extra CPU strain, no compatibility headaches. Just smooth, optimized workflow.
The vocal chains were the first thing I dug into, and they made an immediate impact. Like, it was instantly better. Cleaner, fuller, more present — and without having to do any deep tweaking. It honestly helped shape the creative direction I was heading in.
I also spent time with the instrument chains, and they really opened my eyes. I’ll admit, I hadn’t been taking Logic’s instrument sounds all that seriously before. But these presets gave them a new life. They feel dialed in — like someone’s already done all the EQ, compression, and sweetening, so I can just focus on creating.
And then there’s Alchemy. I used to think Alchemy was kind of underwhelming after Apple bought it — mostly because of the presets. But this suite completely flipped that for me. The sounds here are deep, modern, and playable. Some of the most fun I’ve had has been exploring those patches and morphing them with the XY pad.
Big shoutout, too, for the workflow enhancements. The folder structure is clean, everything’s labeled intuitively, and the CST files retain plugin settings when switching chains — which I really appreciate. Makes the whole experience way more fluid.
I still have a lot more to dig into — the mastering templates, sampler patches, bonus packs — but I can already say this is one of the most inspiring and thoughtfully made suites I’ve used in Logic. Hats off to Mayu Beatz. You’ve taken Logic to another level.